DeeAnn Marie

Month

February 2011

21 posts

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Jan 31, 20118 notes

January 2011

26 posts

“That was the problem - to remain undistracted. Undistracted by the memory of past sins, by imagined pleasure, by the bitter aftertaste of old wrongs and humiliations, by all the fears and hates and cravings that ordinarily eclipse the Light. What those Buddhist monks did for the dying and the dead, might not the modern psychiatrist do for the insane? Let there be a voice to assure them, by day and even while they are asleep, that in spite of all the terror, all the bewilderment and confusion, the ultimate Reality remains unshakably itself and is of the same substance as the inner light of even the most cruelly tormented minds.” —Aldous Huxley in The Doors of Perception (1954)
Jan 30, 20117 notes
Jan 30, 201168 notes
Jan 28, 2011116 notes
“Can a novelist write philosophically? Even those novelists most commonly deemed “philosophical” have sometimes answered with an emphatic no. Iris Murdoch, the longtime Oxford philosopher and author of some two dozen novels treating highbrow themes like consciousness and morality, argued that philosophy and literature were contrary pursuits. Philosophy calls on the analytical mind to solve conceptual problems in an “austere, unselfish, candid” prose, she said in a BBC interview broadcast in 1978, while literature looks to the imagination to show us something “mysterious, ambiguous, particular” about the world. Any appearance of philosophical ideas in her own novels was an inconsequential reflection of what she happened to know. “If I knew about sailing ships I would put in sailing ships,” she said. “And in a way, as a novelist, I would rather know about sailing ships than about philosophy.” —

James Ryerson, ‘The Philosophical Novel’

The New York Times, 20 January 2011

Jan 28, 2011
Jan 26, 20115,976 notes
Jan 26, 201126 notes
Jan 25, 2011

Introduction to Poetry
By Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.


Jan 24, 2011
Play
Jan 23, 20116 notes

I just started sharing books on BookMooch.com.  You can check out books I’m willing to send you under my name, DeeAnn.

Please don’t judge me to harshly on the fact that I am giving away The Girl who Played with Fire.

Jan 23, 2011
Walk While Reading: Two Quotes in One Article → walkwhilereading.tumblr.com

walkwhilereading:

“We should wonder why depression has become a disease. It is a disease of a society that is looking desperately for happiness, which we cannot catch. And so people collapse into themselves.”

“You can’t summon happiness like you summon a dog. We cannot master happiness, it cannot be the fruit…

Jan 23, 201172 notes
“He found himself understanding the wearisomeness of this life, where every path was an improvisation and a considerable part of one’s waking life was spent watching one’s feet.” — William Golding (Lord of the Flies)
Jan 20, 201115 notes
Jan 19, 2011105 notes
Jan 19, 201135 notes

Stony Stratford, outside Milton Keynes, is facing the loss of its library as a result of crippling local budget cuts. Local residents weren’t too happy about this, so they decided to take some books out. All 16,000 of them.

This is an awesome way to protest! Love it!

(Also pics in the links)

Via Metafilter

Jan 15, 2011

The Four Friends

Ernest was an elephant, a great big fellow,
Leonard was a lion with a six foot tail,
George was a goat, and his beard was yellow,
And James was a very small snail. 

Leonard had a stall, and a great big strong one,
Earnest had a manger, and its walls were thick,
George found a pen, but I think it was the wrong one,
And James sat down on a brick 

Earnest started trumpeting, and cracked his manger,
Leonard started roaring, and shivered his stall,
James gave a huffle of a snail in danger
And nobody heard him at all. 

Earnest started trumpeting and raised such a rumpus,
Leonard started roaring and trying to kick,
James went on a journey with the goats new compass
And he reached the end of his brick. 

Ernest was an elephant and very well intentioned,
Leonard was a lion with a brave new tail,
George was a goat, as I think I have mentioned,
but James was only a snail.

by A.A. Milne (The same guy who wrote Winnie-the-Pooh)

(For my friend who has a pet snail)

Jan 15, 2011
“Do you take pride in your hurt? Does it make you seem large and tragic? …Well, think about it. Maybe you’re playing a part on a great stage with only yourself as audience.” —John Steinback, East of Eden
Jan 14, 201178 notes
Jan 14, 20111,946 notes
Jan 13, 2011688 notes
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